![]() ![]() ![]() #Cloaks and capes witchcraft fullThe perfect addition to superhero costumes, Halloween vampire costumes or villain getups and everything in between, a cape or cloak is a handy costume piece to have in your arsenal - check out Spotlight's full range of costume capes and cloaks here! You'll love the array of capse available including red capes, black capes, Superhero capes, hooded capes, kids capes and flag capes. It’s throughout the film.Shop Costume Capes & Cloaks Online: Red Capes, Black Capes, Hooded Capes - We Have it All Becca has it on her shoes and Izzy (Belissa Escobedo ) has it on her blouse. He says, “There’s an eye symbol on almost everything. So, I shredded chiffon so it looked like feathers.” Perez adds, “Nobody was more excited than Hannah was.”Īnd while there are Easter eggs throughout that harken to the original, Perez teases to look out for the eye symbol. Says Perez, “She was supposed to be a bird and has the same markings as the red wing raven. ![]() To give the character texture, he created a hand-pleated silk habotai dress with shredded layers that were then dip-dyed. “She had to look like a goddess,” Perez says. With this character, Perez introduced a brand new character into the fold but kept in line with lore.įletcher’s direction to Perez was that the Mother Witch was gorgeous and stunningly beautiful, not scary and creepy. Hannah Waddingham as the Mother Witch Matt KennedyĪppearing in the flashback, Waddingham plays the Mother Witch, the sorceress who ties the young Sanderson sisters to the black flame candle. I took them to a jeweler and in this Wiccan language, sigils, air, water and earth are carved into them.” He adds, “The rings that were on her corset were curtain rings. So, I made her skirt outfit from tartan and I found loose open weave silk that I used for the black and white part.” But tartans have been around for hundreds of years. But again, when looking at the original, he says, “Mary’s costume was made out of plaid with this lace pattern which again made no sense for the 1650s. Middle sister Mary had a costume that Perez also refreshed. I was able to find just enough to make her eight skirts.” “I was shopping on Solstiss Lace and found this burgundy, metallic gold thread lace with the exact diamond, and it was the most bizarre coincidence. Through online shopping, he was able to find exactly what he was looking for. The front panel was this funny lace with a diamond pattern in it.” Perez describes the outfit as, “purple over gold over a dusty rose. It was a circle symbol with tree branches harkening to the forest, a moon and a pentagram star with the malachite stone.”Ī post shared by Salvador Perez skirt was made up of many layers of chiffon and organza dyed different colors. I wanted to harken to the original, which had a malachite stone in it, so I found some vintage stones in Providence, Rhode Island when we were shooting, and we had them added to the dress. He says, “She had them on her sleeves, and the brooch that she has on her neck becomes Winnie’s brooch on her coat. It was all done in layers of different colors.” Midler’s coat was made from silk velvet.įurthermore, he also put the symbols on the Mother Witch (Hannah Waddingham). We had to find very lightweight silk to mimic that same look. We added chiffons.” He adds, “Then it was about looking for the same fabrics for the capes because the beauty of the cape is how it billowed in the wind. Perez says, “It’s lavish embroidery with gold bullion thread, real crystal and semi-precious stones. The pattern seen on the dress was stenciled on, and bleach was sprayed on it.įor his take, he made a dress out of silk dupioni. Perez explains the original Winnie costume was dyed green. “I thought they should have lore to them, so we did this whole concept around the three sisters, powerful goddesses, the three moons: waxing, waning and full, so the images on Winnie’s costumes are all related to that.” But he learned that despite making use of runes and old symbols, she had changed them because “she didn’t want them to be negative or evil. The first thing he wanted to know was what the symbols meant. “She said, ‘I want everything to have a meaning, don’t just arbitrarily put something on it,’” Perez says.Īs a veteran in the world of costume design and president of the Costume Designers Guild, Perez reached out to Mary Vogt, who served as costume designer on the original. The sequel’s director, Anne Fletcher, guided Perez. ![]()
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